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He was just 51 years old and had recently become a father for the second time. The character’s struggles with identity, family obligations, and survival created a complex tapestry of human drama that transcended simple categorization. Tony believes he could have avoided being shot by Junior at the end of the season premiere if he had listened to Carmela on that point.
- Vito is shown early on to be extremely reluctant to go outdoors for fear of being seen.
- He then Drives Like Crazy away from Benny and a couple of other mobsters once he realizes that he's more or less been outed.
- He returns to his house and packs his Emergency Stash of cash that had been hidden inside paint cans to enable getting out of Dodge asap.
- He then holes up in a hotel in New Hampshire.
But if Tony starts protecting Vito, they're likely to hold even more back to show their disrespect to Tony.
Or am I in it? Chris in turn passes it on to the other mobsters at the Bada Bing. Then they start to realize Sal might be right.
- Carmela accuses Hugh of pillaging the spec house site while Tony was in a Convenient Coma.
- Silvio explains to Tony that most capos aren't kicking up fully, and they accept it as the price of doing business.
The Sopranos took an unprecedented approach by developing a fully realized character whose sexuality was just one aspect of his complex identity. Modern streaming platforms have introduced this storyline to new audiences, who continue to find fresh relevance in its themes and execution.
Technical Achievement in Storytelling
From a craft perspective, the handling of Vito’s arc represents a masterclass in television writing.
His car breaks down after running over a large branch that had fallen during the rainstorm. They didn't do nothin'.
“He was a great guy. Your kids, what they want. Vito makes good his escape, but he is marked for death from that point onwards.
- When the highway department worker finds Vito's phone on the side of the road and is antagonized by Tony, Tony says "Oh, yeah?
Finn in turn counters that justifying the actions of her crime family is hypocritical, especially now that both of them know the Jersey family will seek to murder Vito for being a homosexual.
But next year be ready because it’s going to be a big year for you, so that’s what I did.”
After the episode aired, Gannascoli remembers being shunned and shot dirty looks by real wise guys in his neighborhood in Brooklyn.
He also claims to have been confronted by the relative of a known mobster while out clubbing one night, resulting in a physical skirmish that had to be broken up by bystanders.
Who knows if I’d even still be alive.”
REAL-LIFE TROUBLE
Before landing the role of Vito Spitafore in The Sopranos, Gannascoli originally trained as a chef, working in kitchens across Manhattan and New Orleans, while dipping his toe into theatre along the way.
During this time, Gannascoli also racked up a dangerous gambling habit and, in 1990, lost $60,000 betting on a single football match.
But Carmela's frequently downcast eyes, facial expressions and tone make it obvious that she envies Angie for becoming a Self-Made Woman to a degree that Carmela can only dream of.
- Heel–Face Revolving Door:
- Meadow's work at the Law Center functions as one for her. His other option is staying in Jersey, but he knows he would eventually get killed for being outed as a Gayngster.
- Double Speak: Tony describes the pending hit on Rusty by an analogy of tailoring him a suit with the best tailors, and readying a pair of scissors.
- Dramatic Irony: Tony is apparently unaware that Vito tried to get out of helping out Carmela.
- Dude, Not Funny!:
- Chris and his sponsor, James, relay the rumor of Vito doing Leatherman in a gay bar to Tony and other mobsters at the Bing.