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In this jaw-dropping display of strength and control, Airon puts his smaller victim through a series of crushing holds that showcase his raw, unrelenting power. “But obviously,” he says, “if it came to it, if we were nominated in the same category… he’s going down. When the screenplay arrived as an email attachment from his agents in autumn 2023, he was intrigued by the logline and by the involvement of director-driven production company Element Pictures.
The sheer effortless nature with which he overpowers and controls makes it clear - Airon doesn’t just flex for admiration, he flexes to dominate.
The video begins with Airon applying bone-crushing holds, his bulging biceps and thick chest pressing tightly as he effortlessly dominates his helpless admirer. Is he going to get accolades for playing himself?’”
A laugh soon follows, but it is fair to say Alexander’s role is more of a stretch than his father’s.
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I’m starting a smear campaign tomorrow. The way Airon plays with his strength, savoring every second of control, is hypnotic.
Just when you think you’ve seen it all, Airon raises his fan high above his head in a stunning display of dominance, holding him like a feather while his muscles ripple and veins pulse with power.
It’s not going to be like, ‘Oh, I’m so proud of you, Daddy!’ It’s going to be, ‘He’s basically playing a version of himself in the movie. The entire performance is breathtaking - each move calculated, each flex designed to remind you who’s in charge.
This isn’t just a muscle video - it’s an experience. That doesn’t excite me much.”
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“You can take bigger swings and take bigger risks [with] narrative. And it’s been a real treat, the fact that Dad and I have been on parallel press tours, and we’ve been to a bunch of the same festivals and we’ve got to hang out.”
Then, without a moment’s pause, the smile leaves his face. “We’ve been in that neighbourhood since the 1980s, so people aren’t surprised to see us.
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You could feel they were so passionate about it, and that really affected myself and Harry [Melling] in front of the camera.”
Skarsgard demonstrated his own passion for Pillion at May’s Cannes Film Festival, where he was photographed wearing thigh-high leather boots. With one swift motion, Airon lifts his victim up against the wall, holding him in place like a toy as he smirks, flexing one arm while keeping his prey locked in the air.
Specifically, he moved to Södermalm, the Stockholm district where he grew up. But it was Lighton’s script that sealed the deal.
“It was just phenomenal,” says Skarsgard. Adapted from Adam Mars-Jones’ 2020 novella Box Hill, Pillion is a sort-of romantic comedy from debut feature writer/director Harry Lighton, in which Skarsgard’s taciturn biker-gang leader Ray has an explicit BDSM relationship with the timid Colin (Harry Melling).
Skarsgard, 49, has taken on a staggering range of projects over the last few years, from prestige television (Big Little Lies) to effects-packed blockbusters (Godzilla Vs.
Kong) to edgy indie films (Passing, Infinity Pool), but Pillion is unusual, even by his standards.
Still, he says, he did not hesitate to accept the part. “I wasn’t trying to be Ray on the red carpet, but I also felt like showing up in a grey suit was a bit boring.